The Women’s Revenge

For the artist, these films point to a blackhole in history, in which a mixed bunch of images devours possible clues to explore the life politics of an entire generation. Formally speaking, the artist also takes part in the violent vengeance upon men by transforming himself into one of the avenging women – the box office guarantee for the 1980s Taiwanese cinema and the Best Leading Actress of the 20th Golden Horse Awards, Lu Shao-Fen, with a peculiarly proportioned body – through makeup and the technology of deepfake. The transformation also symbolizes an attempt to understand and experience women’s world with a man’s body.